Cabaret du Monde is a photographic and editorial project exploring the relationship between age, movement, and the passage of time. Photographed in tea dances, the series captures moments where music revives the body, gestures of grace, energy, and presence that resist stillness. The accompanying short fictions extend this reflection through words, evoking the same tension between fragility and vitality, memory and motion.

Identité visuelle — 2024
Collaboration avec la HEAD – Genève
      

Born from the Contemporary Protest Archives of Geneva, this project explores how the visual and literary language of feminist movements can be reimagined today. Using historical materials — posters, poems, manifestos, and photographs — as both inspiration and raw matter, we created a fanzine that intertwines archival research and contemporary creation. Through collage, typography, and original visual and written pieces, we sought to give new resonance to past struggles while asserting our own voice within this continuum. The project stands as a space of resistance and renewal, where memory becomes creation, and where the power, anger, and poetry of feminist movements continue to ignite new forms of expression.

Identité visuelle — 2024
Collaboration with Elyse Guillermond, Léa Leducq et Rita Mendes Cardoso 
      

This project explores the theatre’s visual identity through the notion of the palimpsest, a surface where past and present coexist. Using techniques of overprint the identity revisits and transforms its own visual archives.Last season’s posters become both background and raw material, their colours, textures, and typographic traces resurfacing beneath new graphic compositions. Rather than erasing what came before, each layer adds complexity and depth, creating a continuous dialogue between memory and invention. Through this iterative process, the identity evolves like a living organism — a space where time accumulates, gestures overlap, and each new season renews the previous one while keeping its presence visible.

Identité visuelle — 2024
Collaboration with Alessandro Vogel
      

This project explores the theatre’s visual identity through the notion of the palimpsest, a surface where past and present coexist. Using techniques of overprint the identity revisits and transforms its own visual archives.Last season’s posters become both background and raw material, their colours, textures, and typographic traces resurfacing beneath new graphic compositions. Rather than erasing what came before, each layer adds complexity and depth, creating a continuous dialogue between memory and invention. Through this iterative process, the identity evolves like a living organism — a space where time accumulates, gestures overlap, and each new season renews the previous one while keeping its presence visible.

Identité visuelle — 2024
Collaboration with Alessandro Vogel
      

Isbjørn is a typeface inspired by the glaciers of northern Norway, their monumental presence, slow movement, and subtle fragility. The design seeks to translate the landscape’s contrasts into typographic form: sharp edges meet smooth curves, echoing the dialogue between ice and erosion, stability and change. Each letter is shaped like a fragment carved by time, both solid and delicate, capturing the quiet power of frozen matter. Through its rhythm and weight, Isbjørn reflects the tension between permanence and melting, a typographic landscape where coldness becomes form and silence becomes structure.

Typeface — 2024      

Overshoot is a student collective born at HEAD – Genève. It celebrates graphic excess, experimentation and collective energy. Through fanzines, prints and events, it explores the intersections between design, art and student life, creating spaces for freedom, collaboration and joyful invention. Overshoot turns design into a shared experience — spontaneous, bold and always in motion.

Student collective — 2024